10/08/2015

The Curious Incident of the Dog in the Night-Time: Thoughts on the play

I caught The Curious Incident of the Dog in the Night-Time at the Bristol Hippodrome during its 2015 UK tour, and in short, I bloody loved it.

The Curious Incident of the Dog in the Night-Time (poster)

The book (written by Mark Haddon) is one of my favourites, and I was actually quite apprehensive about the stage adaptation. For those who haven’t read the book and know nothing about the story, Curious Incident follows fifteen year old Christopher Boone, who has an Asperger’s-esque condition, as he tries to uncover the mystery of his neighbours murdered dog, Wellington.
What it’s really about though, is Christopher’s relationship with his father, the secrets of his past and the confusion of everyday life for someone living with autism. The narrative is framed as a book that Christopher is writing for a school project and during his meetings with Siobhan, his school mentor, we uncover the larger story elements that all kick off with Wellington’s murder.

The reason I was apprehensive about the adaptation is due to the presentation of the book. We read from Christopher’s point of view, and within it he draws diagrams and maps and pictures to show his understanding of the world around him, or lack of when it comes to people and social situations. I was interested in seeing how this was adapted to the stage, but if I’m honest, thought that the play would miss the charm and originality of the book. Thankfully though, I was very wrong.

Curious Incident - book diagrams
Diagrams from the book showing Christopher's confusion at emotions

The stage version of Curious Incident is incredible, in no small part due to the amazing set and lighting/sound design utilised in the production. The set is designed like an open cube, with both side walls, the back wall and the floor all covered in grid lines and mentions of time and space.

Curious Incident - set

What’s so magical though, is how this cube comes to life. Throughout the production various parts of the set open to reveal hidden doors, compartments and props and both the floor and walls also project words and images. These are accompanied by lights (both large beams that frame the set and by little LEDs housed along every cross-section of the grid pattern) which change and pulse for various scenes.
The effect is truly mesmerising, and during scenes in which Christopher talks of his dreams or struggles with the confusion of the world, the set itself becomes a character, reacting to and anticipating the movements of the actors – the technical crew of this production deserve a round of applause to say the least.

Curious Incident - Christopher in space

This technical element is also complemented by the use of models in the first act. As Christopher’s story develops he begins to build a model railway and the further his investigation takes him from home the more the railway village expands until the entire stage is covered in model houses, landmarks, tracks and people. It’s a lovely, simple and incredibly effective way of bringing an entire town to the stage, and watching Christopher methodically assemble the town together bit by bit against the backdrop of heavy, emotional scenes is engrossing.

Curious Incident - model village

Curious Incident - model village

Another aspect of the production that I found so spectacular is the actor’s movements around the stage and with each other. Not only do the cast navigate the sprawling model village and various other props with deft precision, but for large chunks of the play the entire main cast remain on stage and as Christopher explores the world they pick him up, flip him over, hold him in the air, press against him or send him up against the walls to walk along them. The choreography is excellent and so imaginative that it’s impossible not to smile watching these scenes take place.

Curious Incident - Walking on walls

It’s this imagination, which runs through every aspect of the production, that makes it such a joy to watch. From the cast to the models to the set itself, every element is perfectly designed to work together and successfully bring Curious Incident alive.
Most importantly though, the play takes the greatest message of the book and successfully brings it to the stage, the message that it’s okay to be different. Through watching the play you get an idea, even just a glimpse, of what the world can be like for someone with autism (or any disability/disorder/condition) and that is both the book and plays greatest asset.

Curious Incident - Reconciliation moment on stage

Oh, and there’s an adorable puppy as well.

29/06/2015

Jurassic World (sponsored by Samsung): Rambling Review

I’m going to ‘review’ Jurassic World, but to be honest I’m really just going to ramble on about it. I warn you now, this will feature spoilers and I’m also not going to run through the plot properly, so if you haven’t seen it, read the Wiki summary first!

Jurassic World (poster)
 
I went in to Jurassic World with deep cynicism and the feeling that I was going to be hugely disappointed. I came out somewhat pleased, which was surprising, but also somewhat disappointed, which wasn’t so surprising. It’s not that Jurassic World is a bad movie, in fact I really enjoyed parts of it and felt overall that compared to Jurassic Park III it was a return to form, but it still didn’t come close to reaching the brilliance of the original.

Generally I enjoyed Trevorrow’s direction more so than his writing with Derek Connolly. There were plenty of great moments filled with suspense and the action sequences were well choreographed and suitably chaotic and thrilling. Sadly though, the script didn’t share this same polish, and was filled with mistakes both large and small which kept distracting me from the fun and enjoyment of the film.

To highlight such mistakes, I want to talk about a relatively small yet suitably eye-rolling one, Bryce Dallas Howard’s character Claire and her choice of footwear for the entire movie: high heels.
Now I get it, she’s the director of the park: a business women, numbers and log sheets (a fact the script drums into you at every possible moment). My problem though, is that it would have been easy for her to be wearing a pair of flats and still come off as a professional and job orientated person. I mean, admittedly no one is looking much at her feet, but if there are any Tarantino-esque fetishists out there, would she be just as professional for wearing a pair of sensible shoes rather than heels? Would she still be awkward and out of touch with her nephews? Would she command the same aura of control and coldness? Yes, of course she bloody would. She’d still be the same character, the only difference is that when she tries to cross Jungle terrain or outrun a T-Rex it would be simply unrealistic instead of unbearably stupid and unrealistic.

Jurassic World - Claire Run - High Heels GIF
Yes Claire, RUN, run in your impractical shoes...

To be honest, this is my main problem with the script and film as a whole; the lack of realism in both actions and characters (and yes, I’m talking about realism within the verisimilitude of the Jurassic Park universe).

You’ll probably still remember the epic chase sequence from the first film where Malcolm, Ellie and British Crocodile Dundee are being chased by a T-Rex in their little gas-powered Jeep: the T-Rex easily catches up with the trio and nearly kills them. In this movie, Claire is able to outrun the same dinosaur on foot, and in heels. Sure it’s a cool slo-mo sequence with dramatic flare holding and suspenseful music, but the entire scene makes no sense.

This tendency towards the unreal infuses the entire movie, and often I felt like these moments were written in just to solve the problem of ‘how to get the characters from A to B’ - I get the need for them to reach B, I just wish more time was spent on the reasoning.

Take, for instance, the moment in which Claire’s nephews, the typical asshole older brother Zach and younger, smart yet troubled Gray, are cruising around in a Gyrosphere. A message pops up telling them to stop and go back, yet our duo decide that VIP wristbands equal ‘do whatever the fuck we want passes’. Coming across a huge metal gate which has clearly been damaged and broken, they again decide to ignore all common sense and ‘take it off road’ - I mean seriously, you’re in a theme park filled with giant, meat-eating dinosaurs and when you see a feck-off huge gate that’s broken you decide to plow onwards?! I get that Zach is a bit of an uncaring jerk, but this is just sheer stupidity and only exists, in my opinion, to get the duo out of the safety of the park and into the wild.

Later in the film, after an admittedly cool scene in which the pair come across the original park’s welcome centre, they decide to fix up one of the decades old, unused Jeeps from the first movie. That’s right, these same kids, all about their smartphones and cushy modern lives, are also wicked good mechanics that are able to fix up a disused Jeep. Even though, moments later, Chris Pratt’s Owen remarks on how the hell they managed that even though we see him tinkering with a bike earlier in the film. He’s a hands on, rough kind of guy and yet is stumped by a car engine, but no, these kids have it down - I mean, kids are the future after all, and apparently can do anything when it’s convenient for the plot.

Now I could go on and on about mistakes and nonsensical moments like that (such as multi-billionaire park owner turned action hero Simon Masrani, who decides that he and only he can fly a helicopter to take down the big bad dinosaur), but, instead I want to discuss one plot point in particular that becomes increasingly important and yet is exceedingly dumb: the weaponising of Owen’s raptor gang.

Jurassic World - Raptor squad

Essentially, Owen is an ex-navy guy who has been tasked with training the raptors for the park. He’s been with them since their birth and has established himself as the alpha. This clearly bad guy though, Hoskins (and you can tell he’s bad because his name is Hoskins and he’s all cocksure), wants to take them and use them in the military. His reasoning is that when a ‘real war’ breaks out drones and other military tech will be easily hacked and so the only hope is to take uncontrollable, man-eating dinosaurs and put them in the field. It really just doesn’t make sense.
Owen even states that he doesn’t control the raptors, but rather has a relationship with them, and them with him alone. Apparently though, Hoskins is blind to this obvious fact and goes on to put the raptors in the field ‘with or without’ Owen. I mean, with or without him? Without him they would just eat everyone and everything, we’ve seen this in the past movies, so why doesn’t he get that? Well, again, because it’s necessary for the plot.

All of these elements (and the many, many more I haven’t mentioned) take what could’ve been a great movie and rejuvenation of the franchise and turn it into an average summer blockbuster with inevitable, unimaginative sequels (more on that later). This is a real shame, because despite all of my complaints, Jurassic World has plenty of great moments.

I liked the scene early on when Owen hides under a car and covers himself in petrol to disguise his scent from the freshly escaped Indominus Rex; it’s clever, original and gives his character a nice edge. Similarly, I enjoyed the scene where Zach and Gray find themselves in the middle of a fight between the Indominus Rex and an Ankylosaurus. It’s a thrilling sequence and it was really fun to watch the Ankylosaurus thrash its tail around and bash the kids around like a really dangerous game of pinball (hey, there’s an idea for an app tie-in).
The sequence in which a flock of Pterosaurs wreak havoc on the park and attack the visitors was again, very cool and really what we should have seen more of. I will say at this point though, the torturous death of Claire’s assistant (and Zach and Gray’s babysitter), Zara, was very over-the-top and needlessly gruesome for such a minor character. That kind of death belonged to someone like Hoskins who instead gets eaten off screen (how thrilling).

One scene in the film which I was dreading actually turned out to be one of my favourites. Watching the trailer and seeing Chris Pratt lead a group of raptors on his motorbike just made me groan; it looked ridiculous and I simply didn’t like it. In the actual film however, it’s ridiculous yet also really fun and given the circumstances it makes as much sense as it was going to (though I still don’t like how Owen’s motorbike glides easily over tough, jungle terrain - but whatever).
When the raptors finally face off against the Indominus Rex it was great to see everyone’s shock when they start to communicate and watch Owen’s horror as he realises the Indominus is part raptor. It was a cool moment and I wasn’t expecting it, and though I feel the raptors turned back to Owen’s side a little too easily, it was nevertheless a fun and tense sequence.

Something I did find odd though, and again this goes back to issues with the script, is the sheer lack of focus and emotion evident when some of the raptors died. Earlier in the film Owen and Claire come across a dying Apatosaurus (having been attacked by the Indominus Rex for sport) and the pair comfort it as it dies. Not only does the animatronic head look incredibly good (sadly one of the few uses of practical effects over CGI in the film) but it was also a nice moment in which you can see Claire grasp that these animals are ‘real’ and alive.
So, when the Indominus quickly kills two of Owen’s raptors, and also earlier when one is blown up, the lack of emotion from Owen and the lack of focus given to these deaths felt really strange. I cared more about the Apatosaurus than I did the raptors, and they’re basically the best characters in the entire film.

Generally I feel the problem with Jurassic World is all down to the script and how it feels rushed. The tone is all over the place, there are numerous mistakes that detract from the world of the film and mar the enjoyment of it, and the character development is uneven. I didn’t find myself caring too much about any of the characters, and all of the mopey, soppy kid bits were just annoying.

I also really missed the focus on ethics and morality that the original Jurassic Park had. Even though it was a blockbuster film, it actually brought up major themes like our effect on the planet, our perceived control over nature (“YOU NEVER HAD CONTROL, THAT’S THE ILLUSION” – you go Ellie) and the morals of what we should do compared to what we can do. In this film, all of that is side-lined because hey, Verizon want to sponsor a ride.
Jurassic World clearly has a message in it about corporate excess and consumerism; about our desire for more, for bigger, for better – but it never really deals with the larger consequences or truly makes its point. I actually really liked how the park was full of sponsors and how corporate money was a big part of its success, but when you notice that every character has a Samsung Phone, and how everyone drives a Mercedes, the film becomes a parody of its own point: the butt of its own joke.

'Samsung World'

Perhaps these grander questions will be answered in the sequels, of which there will inevitably be many. You see, B.D. Wong reprises his role as geneticist Dr. Henry Wu, and is part of a confusing and frankly underdeveloped scheme in which he has some sort of deal with Hoskins relating back to the use of genetically modified dinosaurs for the military. Towards the end of the film (despite Hoskins being killed off) Dr. Wu escapes via helicopter with these dino embryos. So clearly there’s going to be some sort of larger story involving this deal and the application of these modified dinosaurs leading to some tragedy. Sure, it sounds thrilling, but hey, do you remember when Jurassic Park was just about a guy who wanted to run a theme park and amaze people?

I personally won’t be looking forward to the sequels, especially if their focus is going to be on US Army dinosaurs storming the Middle East mounted on quad bikes and tanks or whatever. But, taking Jurassic World on its own, as a film and not the start of a revamped franchise, I can say that I did enjoy it; I had a lot of fun with the action sequences and found a suitable replacement for Alan Grant in Chris Pratt’s Owen.
It’s nowhere near the quality of the original, and it’s a shame the script wasn’t fleshed out more because that could’ve taken this film to a whole other level, but overall it’s a fine movie and a definite improvement over the third one.

05/06/2015

Customary welcome post

Hello, this is Piquid, my personal blog.

I'm Niall Lucas, a recent graduate from The University of York where I studied 'Film and Television Production'. I want to work in film, and have aspirations to write for the big screen (and maybe the smaller one as well).

I'm currently working part-time, pursuing passion projects and looking for freelance work as well as full time employment in the corporate video sector.

My website (www.nialllucas.com) recently went live, which showcases my artwork, writing and current/past projects.

This blog isn't so much about that though; everyone has a professional side and a personal one, and Piquid is more about writing down anything and everything that interests me, rather than working towards some goal.

Generally speaking those things are films, books, gadgets, geekery, design, art and so on. This is the place where I'll be sharing things I find interesting and hopefully where I'll write things that you'll find interesting!

That's about it for now,

-Niall